{"id":4927,"date":"2026-05-25T19:52:59","date_gmt":"2026-05-25T17:52:59","guid":{"rendered":"https:\/\/marisana.es\/a-brief-sung-history-of-cannabis-in-spain-2\/"},"modified":"2026-06-05T11:53:36","modified_gmt":"2026-06-05T09:53:36","slug":"a-brief-sung-history-of-cannabis-in-spain-2","status":"publish","type":"post","link":"https:\/\/marisana.es\/en\/a-brief-sung-history-of-cannabis-in-spain-2\/","title":{"rendered":"A brief sung history of cannabis in Spain (2)"},"content":{"rendered":"<div id=\"pl-4927\"  class=\"panel-layout\" ><div id=\"pg-4927-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-4927-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-4927-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h5>In this second installment, we continue moving forward in a concise and entertaining way through the cannabis history of Spain. In the <strong>previous and first article of this series<\/strong>, we stopped at the beginning of the 1970s, so let us continue our journey through time. Maestro, let the music continue!<\/h5>\n\n<h2>In the 1970s, the hashish era begins<\/h2>\n\n<h5>In 1973, Spain adapted its Penal Code to the Single Convention on Narcotic Drugs, and one year later the Supreme Court ruled that personal consumption did not fall under the so-called \u201ccrimes against public health.\u201d <strong>This Supreme Court decision made Spain, in 1974 and through one of history\u2019s ironies, the first European country to decriminalize consumption.<\/strong> But let\u2019s not fool ourselves: drugs were still illegal, and if you were caught using them in public, the Social Dangerousness Law could be applied to you; however, if you were caught consuming them in private, you avoided prison.<\/h5>\n\n<h5>Although the social stigma still weighed heavily, identifying oneself as a joint smoker no longer carried legal consequences, and the anti-conventional, communal, and generational spirit associated with smoking hashish among a youth overflowing beyond the limits of the already dying Francoist regime gave \u201cmandanga\u201d a starring role in rumba music. For example, <strong>Los Chunguitos<\/strong> introduced themselves in 1974 with the fast-paced single <strong><a href=\"https:\/\/www.youtube.com\/watch?v=43ti8MHbjVQ\" target=\"_blank\" rel=\"nofollow noopener\">\u201c<\/a><em><a href=\"https:\/\/www.youtube.com\/watch?v=43ti8MHbjVQ\" rel=\"noopener nofollow \" target=\"_blank\">It Tastes Like Smoke to Me<\/a>\u201d.<\/em><\/strong><\/h5>\n\n<h5>The little \u201ccandies\u201d of grifa and the pre-rolled firecrackers had given way to hashish joints. In the mid-1970s, growers in the Rif began producing hashish in the same way it was made in Lebanon, a hugely significant development that would eventually turn Morocco into the world\u2019s leading exporter of the concentrate.<\/h5>\n\n<h5>Although consumption had been decriminalized, alongside its growing popularity the police exponentially increased their resources to pursue drug sales, making it more convenient for traffickers to import the substance concentrated into hash tablets rather than bulky bundles of grifa.<\/h5>\n\n<h5>As a consequence, from then until the late 1990s, it became rare to see marijuana buds in Spain. <strong>The dominance of hashish would define several generations of Spanish joint smokers.<\/strong><\/h5>\n\n<h5>There is the censored cover of Veneno\u2019s first album (1977), or Los M\u00e1nager de Huelva, whom Pata Negra sang about\u2014those disastrous managers whose blunders were explained in the pasodoble as the result of being wasted from alcohol and cannabis resin: \u201c<em>Must be from so many mixed drinks and so much pollen, so much pollen<\/em>.\u201d<\/h5>\n\n<h5>Some people mistakenly attribute to <strong>Fary<\/strong> the merit of creating the first song about joints in Spain, but <strong><em>\u201cLa Mandanga\u201d<\/em><\/strong>, as this rumba was called, dates from 1979. Rather than announcing something new, in prime-time television programs from the Valerio Lazarov era on Spanish TVE, it portrayed how widespread joint smoking had become among the youth of those years:<\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-4927-1\"  class=\"panel-grid panel-has-style\" ><div style=\"background-image: url(https:\/\/marisana.es\/wp-content\/uploads\/2026\/05\/fondo-musical-02.jpg);background-size: cover;background-position: center center;\" class=\"panel-row-style panel-row-style-for-4927-1\" ><div id=\"pgc-4927-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-4927-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h5 style=\"text-align: center;\"><em>After twenty minutes had passed, without knowing how or why<\/em><\/h5>\n\n<h5 style=\"text-align: center;\"><em>With the aroma of the smoke, I got high too<\/em><\/h5>\n\n<h5 style=\"text-align: center;\"><em>The youngsters told me, come here and sit down<\/em><\/h5>\n\n<h5 style=\"text-align: center;\"><em>I took a hit of the mandanguita and my shyness disappeared<\/em><\/h5>\n\n<h5 style=\"text-align: center;\"><strong><em>Come on, give me the mandanga and forget the tea<\/em><\/strong><\/h5>\n\n<h5 style=\"text-align: center;\"><strong><em>Give me the hash that makes me feel good<\/em><\/strong><\/h5>\n\n<h5 style=\"text-align: center;\"><strong><em>Give me the dark one with the nice smell<\/em><\/strong><\/h5>\n\n<h5 style=\"text-align: center;\"><strong><em>Because with marijuana, what a high<\/em><\/strong><\/h5>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-4927-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-4927-1-1-0\" class=\"so-panel widget widget_media_video panel-first-child panel-last-child\" data-index=\"2\" ><div style=\"width:100%;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-4927-1\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/youtube\" src=\"https:\/\/www.youtube.com\/watch?v=aWHFTOLrKHU&#038;_=1\" \/><a href=\"https:\/\/www.youtube.com\/watch?v=aWHFTOLrKHU\">https:\/\/www.youtube.com\/watch?v=aWHFTOLrKHU<\/a><\/video><\/div><\/div><\/div><\/div><\/div><div id=\"pg-4927-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-4927-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-4927-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h2>The democratization of the joint arrives in the 1980s<\/h2>\n\n<h5>With the economic development and openness of the democratic transition, grifa gave way to hashish, and the hippies and trendsetters who had replaced the grifotas as the stereotypical stoner began sharing their place in the collective imagination with the carefree \u201cpasotas.\u201d<\/h5>\n\n<h5>Also entering the scene were the rootless petty delinquents, who smoked joints heavily, like the youngsters in Carlos Saura\u2019s film <em>\u201cFast, Fast\u201d<\/em> (1981), or like El Jaro, the thug in tight trousers portrayed by Sabina in <a href=\"https:\/\/www.youtube.com\/watch?v=YEk2mj2xobc\" target=\"_blank\" rel=\"nofollow noopener\"><strong><em>\u201cWay Too Much\u201d<\/em><\/strong><\/a> (1980), who lived life \u201c<em>as a tough guy and a thug, a rogue and a thief, and smoking plenty of joints<\/em>.\u201d<\/h5>\n\n<h5>In the 1980s, the joint became popular and evolved from a marginal songbook of Roma rumbas and juvenile delinquents into a far more widespread and cross-cultural reality within the national music scene and among the different types of singers addressing the subject in their songs.<\/h5>\n\n<h5>But without a doubt, it was <strong>Joaqu\u00edn Sabina<\/strong>, the leading songwriter of this golden musical decade in Spain during the rise of the \u201cMovida Madrile\u00f1a,\u201d who synthesized and democratized the use of joints in many of his most prestigious songs.<\/h5>\n\n<h5>Thus, the juvenile delinquent would not be the only cannabis-related reference to slip into Sabina\u2019s repertoire, where secret lovers wait for each other in hotel rooms with well-packed joints: <strong><em>Hotel, Sweet Hotel<\/em><\/strong>; or where a couple of squatters find paradise in an apartment in Moratalaz, growing Ketama hemp seeds on the balcony, and where a youthful past of laughter and kisses is remembered through rhyming stoner verses: <strong><em>With a Weathered Brow:<\/em><\/strong><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-4927-3\"  class=\"panel-grid panel-has-style\" ><div style=\"background-image: url(https:\/\/marisana.es\/wp-content\/uploads\/2026\/05\/fondo-musical-02.jpg);background-size: cover;background-position: center center;\" class=\"panel-row-style panel-row-style-for-4927-3\" ><div id=\"pgc-4927-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-4927-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h5 style=\"text-align: center;\"><em>We planted Ketama hemp seeds <\/em><\/h5>\n\n<h5 style=\"text-align: center;\"><em>and a plant grew by the window <\/em><\/h5>\n\n<h5 style=\"text-align: center;\"><em>with a branch from the tree <\/em><\/h5>\n\n<h5 style=\"text-align: center;\"><em>of the knowledge of good and evil<\/em><\/h5>\n\n<h5 style=\"text-align: center;\"><strong><em>Sitting in a circle we feasted on kisses and joints, and the hours passed<\/em><\/strong><\/h5>\n\n<h5 style=\"text-align: center;\"><strong><em>quickly between smoke and laughter.<\/em><\/strong><\/h5>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-4927-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-4927-3-1-0\" class=\"so-panel widget widget_media_video panel-first-child panel-last-child\" data-index=\"5\" ><div style=\"width:100%;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-4927-2\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/youtube\" src=\"https:\/\/www.youtube.com\/watch?v=sBDoHv2OO7s&#038;_=2\" \/><a href=\"https:\/\/www.youtube.com\/watch?v=sBDoHv2OO7s\">https:\/\/www.youtube.com\/watch?v=sBDoHv2OO7s<\/a><\/video><\/div><\/div><\/div><\/div><\/div><div id=\"pg-4927-4\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-4927-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-4927-4-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child\" data-index=\"6\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h5>The stigma was also reflected in the censorship of the time. Thus, the song <strong><em>The Man, the Bear and the Strawberry Tree<\/em><\/strong> (1985), by <strong>Javier Krahe<\/strong>, was released on his album <strong>Corral de cuernos<\/strong> without its final verse, deliberately mutilated by CBS.<\/h5>\n\n<h5>The censored lines read: <em>\u201cPass me that hash, hash, so we can smoke here in the capital\u201d<\/em>, and this act of censorship led the uncompromising singer-songwriter to leave the record label.<\/h5>\n\n<h5>Javier Krahe is important in this story because he was one of the members of the Anti-Prohibitionist List, the Spanish branch of the electoral experiment advocating for drug legalization that originated in Italy under the initiative of the Radical Party. The list managed to obtain 3,330 votes in the 1989 general elections.<\/h5>\n\n<h5>During the summer of 1989, the group <strong>No me pises que llevo chanclas<\/strong> became famous, among other songs, for <strong><em>Bolill\u00f3n<\/em><\/strong><em>, <\/em>which told the story of a guy who gets heavily stoned after smoking several pieces of hashish that had fallen from the pockets of drug dealers he encounters in the labyrinthine Santa Cruz neighborhood of Seville. Its catchy chorus, \u201cbolill\u00f3n, bolill\u00f3n, bolill\u00f3n,\u201d was sung with enthusiasm throughout Andalusia, and the local slang term\u2014synonymous with being high or wasted\u2014became popular all across Spain.<\/h5>\n<\/div>\n<\/div><\/div><div id=\"panel-4927-4-0-1\" class=\"so-panel widget widget_media_video\" data-index=\"7\" ><div style=\"width:100%;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-4927-3\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/youtube\" src=\"https:\/\/www.youtube.com\/watch?v=maVrehfBjgo&#038;ab_channel=SenadorM%C3%BAsica&#038;_=3\" \/><a href=\"https:\/\/www.youtube.com\/watch?v=maVrehfBjgo&#038;ab_channel=SenadorM%C3%BAsica\">https:\/\/www.youtube.com\/watch?v=maVrehfBjgo&#038;ab_channel=SenadorM%C3%BAsica<\/a><\/video><\/div><\/div><div id=\"panel-4927-4-0-2\" class=\"so-panel widget widget_sow-editor panel-last-child\" data-index=\"8\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h5>Well, with this \u201cBolill\u00f3n\u201d leaving us a little dizzy, we have reached the end of this second installment of our sung history. Once we are a bit more sober, we will continue singing and telling you more in our next Blog publication.<\/h5>\n<p>&nbsp;<\/p>\n<h5><strong><em><a title=\"A brief sung history of cannabis in Spain (3)\" href=\"https:\/\/marisana.es\/en\/a-brief-sung-history-of-cannabis-in-spain-3\/\">TO BE CONTINUED<\/a> \u2192<\/em><\/strong><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-4927-5\"  class=\"panel-grid panel-has-style\" ><div class=\"panel-widget-style panel-row-style panel-row-style-for-4927-5\" ><div id=\"pgc-4927-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-4927-5-0-0\" class=\"so-panel widget widget_kadence_simple_image kadence_simple_image panel-first-child panel-last-child\" data-index=\"9\" ><div class=\"kad_img_upload_widget  kt-shape-type-kt-image-shape-standard kt-image-align-center kt-image-widget-widget-5-0-0\"><a href=\"https:\/\/www.amazon.es\/%C2%BFQu%C3%A9-est%C3%A1s-cantando-canciones-SOCIEDAD\/dp\/8499921345\/\" target=\"_blank\"><div class=\"kt-image-contain kt-image-shadow-small kt-image-shape-standard\"><div class=\"kt-image-inner-contain\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/marisana.es\/wp-content\/uploads\/2026\/05\/que-me-estas-cantando-300x470.jpg\" width=\"300\" height=\"470\" srcset=\"https:\/\/marisana.es\/wp-content\/uploads\/2026\/05\/que-me-estas-cantando-300x470.jpg 300w, https:\/\/marisana.es\/wp-content\/uploads\/2026\/05\/que-me-estas-cantando-450x705.jpg 450w, https:\/\/marisana.es\/wp-content\/uploads\/2026\/05\/que-me-estas-cantando-400x626.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" class=\"\" itemprop=\"contentUrl\" alt=\"\"><\/div><\/div><\/a><\/div><\/div><\/div><div id=\"pgc-4927-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-4927-5-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"10\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div class=\"kad-spacer clearfix\" style=\"height:80px\"><\/div>\n<h5 style=\"text-align: center;\">Our recognition goes to <strong>Fidel Moreno<\/strong>, director of Ca\u00f1amo magazine and author of the essay <strong><em>\u201cWhat Are You Singing to Me? Memories of a Century of Songs\u201d<\/em><\/strong> (Debate, 2018), a work that has served as a guide and inspiration for the creation of these articles on this <strong>Brief Sung History of Cannabis in Spain.<\/strong><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>In this second installment, we continue moving forward in a concise and entertaining way through the cannabis history of Spain. In the previous and first article of this series, we stopped at the beginning of the 1970s, so let us &hellip; <a href=\"https:\/\/marisana.es\/en\/a-brief-sung-history-of-cannabis-in-spain-2\/\">Read More<\/a><\/p>\n","protected":false},"author":2,"featured_media":4926,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"kt_blocks_editor_width":"","footnotes":""},"categories":[19],"tags":[],"class_list":["post-4927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/posts\/4927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/comments?post=4927"}],"version-history":[{"count":2,"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/posts\/4927\/revisions"}],"predecessor-version":[{"id":4938,"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/posts\/4927\/revisions\/4938"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/media\/4926"}],"wp:attachment":[{"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/media?parent=4927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/categories?post=4927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/marisana.es\/en\/wp-json\/wp\/v2\/tags?post=4927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}